When the ARRI Trinity came out years ago, it was by far the most advanced stabilizer we've seen and still is today. It flew under the radar for some time, slowly growing in popularity among high-end users and productions who could afford the top-notch tech.
But when 1917 hit theaters, many learned that Trinity played an intricate part in making the "single-shot" film. The stabilizer had independent filmmakers creating their own cheaper alternatives with great success. Other manufactures have since caught on to the trend, including Tilta with its Tilta Float Support System and CAME-TV, which has released a stabilizer kit designed for smaller payloads ideal for mirrorless and DSLR cameras.
The CAME-TV Pro Camera Stabilizer Kit can be used as a Steadicam or a gimbal with the added benefit of attaching a DJI RS 2 or another gimbal on the top plate for even more versatility.